A
Appropriation Art
A
Arte Povera
S
Self-Portrait
C
Classic In The Contemporary
H
Hip-Hop
I
Immersive
M
Minimal Art
Mono-Ha
Monochrome
N
Nature
N
Numbers
S
Shadow
O
Optical Art
P
Performance
Provocation
S
Suffering
Skull
V
Video Art


Elmgreen&dragset
A
Adel Abdessemed
Eija-Liisa Ahtila
Shusaku Arakawa
B
Marcel Bascoulard
Hicham Berrada
Alighiero & Boetti
Troy Brauntuch
Marcel Broodthaers
James Lee Byars
C
Maurizio Cattelan
David Claerbout
Bruce Conner
John Coplans
D
Peter Fischli David Weiss
Peter Dreher
Marlene Dumas
E
Latifa Echakhch
F
Urs Fischer
Dan Flavin
Llyn Foulkes
Latoya Ruby Frazier
G
Vidya Gastaldon
Theaster Gates
General Idea
Gilbert & George
Robert Gober
Dominique Gonzalez-Foerster
Felix Gonzalez-Torres
Loris Gréaud
Mark Grotjahn
H
David Hammons
Damien Hirst
Roni Horn
Pierre Huyghe
I
Robert Irwin
J
Arthur Jafa
Ann Veronica Janssens
K
Edward Kienholz
Jeff Koons
Kurt Kranz
L
Bertrand Lavier
Julio Leparc
Sherrie Levine
Sol Lewitt
Urs Lüthi
M
Piero Manzoni
Mario Merz
Antoni Muntadas
Takashi Murakami
N
Bruce Nauman
Paulo Nazareth
O
Albert Oehlen
Roman Opalka
P
Philippe Parreno
Giuseppe Penone
Sigmar Polke
R
Carol Rama
Charles Ray
Martial Raysse
Lili Reynaud-Dewar
Bridget Riley
S
Anri Sala
Thomas Schütte
Cindy Sherman
Alina Szapocznikow
T
Claire Tabouret
Diana Thater
U
Lee Ufan
V
Danh Vo
W
Franz West
Doug Wheeler
Robert Whitman
Cerith Wyn Evans
Z
Zmskyuza Zmskyuza
palazzograssi
teens
artists
themes
info
italian
Performance

opera tag

In 1959, Piero Manzoni signed women’s bodies and called them ‘Living Sculptures’. In 1974,  Joseph Beuys, the ‘shaman’ of art, closed himself in a cell for three days with a coyote, a symbol of the United States, and tried to communicate with it. In 1989, James Lee Byars, wearing a golden outfit, burnt a circle of shrubs, symbolic of his incendiary creative power. In 1997, Marina Abramović cleaned hundreds of animal bones while singing sad songs to remember the Balkan War. All these are examples of artistic performances. They seem strange, but with this new art form the work doesn’t even exist. The artist-performer no longer wants to create a concrete and tangible object such as a painting, a sculpture, a video. Instead, the work is his action, which takes place at a very precise moment and in a determined space. This is just as important as the interaction with the viewer, or should we say the spectator. His or her presence is fundamental because without the viewer, the performance would have no meaning.


Condividi


In 1959, Piero Manzoni signed women’s bodies and called them ‘Living Sculptures’. In 1974,  Joseph Beuys, the ‘shaman’ of art, closed himself in a cell for three days with a coyote, a symbol of the United States, and tried to communicate with it. In 1989, James Lee Byars, wearing a golden outfit, burnt a circle of shrubs, symbolic of his incendiary creative power. In 1997, Marina Abramović cleaned hundreds of animal bones while singing sad songs to remember the Balkan War. All these are examples of artistic performances. They seem strange, but with this new art form the work doesn’t even exist. The artist-performer no longer wants to create a concrete and tangible object such as a painting, a sculpture, a video. Instead, the work is his action, which takes place at a very precise moment and in a determined space. This is just as important as the interaction with the viewer, or should we say the spectator. His or her presence is fundamental because without the viewer, the performance would have no meaning.


Condividi






ethical code