A
Appropriation Art
A
Arte Povera
S
Self-Portrait
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Classic In The Contemporary
H
Hip-Hop
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Immersive
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Minimal Art
Mono-Ha
Monochrome
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Nature
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Numbers
S
Shadow
O
Optical Art
P
Performance
Provocation
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Suffering
Skull
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Video Art


Elmgreen&dragset
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Adel Abdessemed
Eija-Liisa Ahtila
Shusaku Arakawa
B
Marcel Bascoulard
Hicham Berrada
Alighiero & Boetti
Troy Brauntuch
Marcel Broodthaers
James Lee Byars
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Maurizio Cattelan
David Claerbout
Bruce Conner
John Coplans
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Peter Fischli David Weiss
Peter Dreher
Marlene Dumas
E
Latifa Echakhch
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Urs Fischer
Dan Flavin
Llyn Foulkes
Latoya Ruby Frazier
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Vidya Gastaldon
Theaster Gates
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Gilbert & George
Robert Gober
Dominique Gonzalez-Foerster
Felix Gonzalez-Torres
Loris Gréaud
Mark Grotjahn
H
David Hammons
Damien Hirst
Roni Horn
Pierre Huyghe
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Robert Irwin
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Arthur Jafa
Ann Veronica Janssens
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Edward Kienholz
Jeff Koons
Kurt Kranz
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Bertrand Lavier
Julio Leparc
Sherrie Levine
Sol Lewitt
Urs Lüthi
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Piero Manzoni
Mario Merz
Antoni Muntadas
Takashi Murakami
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Bruce Nauman
Paulo Nazareth
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Albert Oehlen
Roman Opalka
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Philippe Parreno
Giuseppe Penone
Sigmar Polke
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Carol Rama
Charles Ray
Martial Raysse
Lili Reynaud-Dewar
Bridget Riley
S
Anri Sala
Thomas Schütte
Cindy Sherman
Alina Szapocznikow
T
Claire Tabouret
Diana Thater
U
Lee Ufan
V
Danh Vo
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Franz West
Doug Wheeler
Robert Whitman
Cerith Wyn Evans
Z
Zmskyuza Zmskyuza
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Lee
Ufan

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The school of things

Korean artist Lee Ufan was born in 1936. Philosophy graduate, painter and sculptor, he was one of the founders and theoretical leaders of the Mono-ha avant-garde group. He is a minimalist who focuses on natural materials and the energy of the cosmos. How does he do this? Lee Ufan allows natural materials to speak to each other, omitting any artifice, with a typically Japanese sense of calm and strong aesthetic sense. Like the other Mono-ha artists, Lee Ufan likes to make visible the vibrations of the world, which he does using the following materials: stone, glass and paper.


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The school of things

Korean artist Lee Ufan was born in 1936. Philosophy graduate, painter and sculptor, he was one of the founders and theoretical leaders of the Mono-ha avant-garde group. He is a minimalist who focuses on natural materials and the energy of the cosmos. How does he do this? Lee Ufan allows natural materials to speak to each other, omitting any artifice, with a typically Japanese sense of calm and strong aesthetic sense. Like the other Mono-ha artists, Lee Ufan likes to make visible the vibrations of the world, which he does using the following materials: stone, glass and paper.


Condividi





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