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Classic In The Contemporary
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Minimal Art
Mono-Ha
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Nature
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Performance
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Elmgreen&dragset
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Eija-Liisa Ahtila
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Marcel Bascoulard
Hicham Berrada
Alighiero & Boetti
Troy Brauntuch
Marcel Broodthaers
James Lee Byars
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Maurizio Cattelan
David Claerbout
Bruce Conner
John Coplans
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Peter Fischli David Weiss
Peter Dreher
Marlene Dumas
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Latifa Echakhch
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Urs Fischer
Dan Flavin
Llyn Foulkes
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Theaster Gates
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Felix Gonzalez-Torres
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David Hammons
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Arthur Jafa
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Edward Kienholz
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Bertrand Lavier
Julio Leparc
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Sol Lewitt
Urs Lüthi
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Piero Manzoni
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Bruce Nauman
Paulo Nazareth
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Albert Oehlen
Roman Opalka
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Philippe Parreno
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Carol Rama
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Martial Raysse
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Bridget Riley
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Anri Sala
Thomas Schütte
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Alina Szapocznikow
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Claire Tabouret
Diana Thater
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Lee Ufan
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Danh Vo
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Franz West
Doug Wheeler
Robert Whitman
Cerith Wyn Evans
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Zmskyuza Zmskyuza
palazzograssi
teens
artists
themes
info
italian
Bruce
Conner

opera tag

>Crossroads

theme tag

Bruce Conner produced his most important work in the 1950s. It’s called ‘A MOVIE’, and is a very distinctive film. The artist didn’t record any film himself; he didn’t want to tell a story. Instead, he chose clips of old films, documentaries and amateur videos, which he edited together to create a beautiful new film. ‘A MOVIE’ includes some very suggestive scenes, which deal with the themes of lightness, destruction, beauty and seduction. After this, Conner produced many other videos in which he combined traffic accidents, tight walk performances, air balloon flights, underwater rockets, parachutists, bridges collapsing, elephants running and snake charmers. Conner is considered the king of assemblage. In the first years of his career, he produced collages with objects but soon realised that with moving images, he could create a visionary and hallucinated world that was much more powerful. And this is how his films were born!


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Bruce Conner produced his most important work in the 1950s. It’s called ‘A MOVIE’, and is a very distinctive film. The artist didn’t record any film himself; he didn’t want to tell a story. Instead, he chose clips of old films, documentaries and amateur videos, which he edited together to create a beautiful new film. ‘A MOVIE’ includes some very suggestive scenes, which deal with the themes of lightness, destruction, beauty and seduction. After this, Conner produced many other videos in which he combined traffic accidents, tight walk performances, air balloon flights, underwater rockets, parachutists, bridges collapsing, elephants running and snake charmers. Conner is considered the king of assemblage. In the first years of his career, he produced collages with objects but soon realised that with moving images, he could create a visionary and hallucinated world that was much more powerful. And this is how his films were born!


Condividi





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